Dennis Dennehy's
music
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Influences
Musical
Pictures
Glimpse
into Motion Threesome
The
music is very varied and different, and cannot really
be limited or canned into any
one direction. The countless influences from, Classical India Music
such as Ravi Shankar, or the classics, or philosophers like Walt Whitman, R.W
Emerson, or folk singers Peter Paul Mary, or Leonard Cohen, or even pop either the
Beatles, Searchers from the 60-70’s or the latest Top 10 or The Corrs.
It all goes into making a very mixed bag of music.
When
one presents one’s own Music it is a little like exposing oneself. That’s
why the poetical licence is so important, that is having the freedom to either
let the cat out of the bag about the meaning behind his songs or not.
Normally Dennehy likes to give a little hint and direction of where the idea for
songs or the titles of instrumentals come from. Music is art, and just
like a painter who wants to hang his pictures in a gallery, a musician needs to
perform and exhibit his ideas and music to an audience. In his own words “I
present musical pictures”. It is one thing playing critical and meaningful
songs, and another putting them in a framework, which is also entertaining and
not monotonous.
Dennehys concerts
are performed under the Title "Glimpse Into Motion" (the title of his
first instrumental). This 'glimpse into motion' stems from the fact
that there is motion in everything in the universe, in the cells, atoms, and
electrons or in the inter-personal and spiritual relationships. The
creative variety in his music is henceforth well presented under this motto,
his music can move in any direction he wishes, whether it is in the topic, text
or music. It is one thing playing critical and meaningful songs, and
another presenting them in a framework, which is both entertaining and critical.
Dennis Dennehy is able to combine original and catchy melodies with
critical text. Music is art, and just like a painter who wants to hang his
pictures in a gallery, a musician needs to perform and exhibit his ideas and
music to an audience. In his
own words “I present musical pictures”.
“I am never too sure whether I should explain my music as poems, love
letters, aims, criticisms or whatever”, because as a total concert they do not
fall into one nutshell.
His
very first own guitar
was a very cheap one that was his “One Penny Guitar”. The guitar arm
stayed on the body only by the fact that the strings were taut. When the strings
were taken off the guitar the arm would just hang on like a loose limb.
After that first guitar was stolen in Italy, it took a lot of sampling to
actually find one that had the right sound. That’s when he bought his
Ibanez six-string western. The body was extra large and gave such a warm
deep sound. His technique of playing
the guitar upside down and left-handed limits so much how many chords one
can play. Re-tuning it in an open E, which can give a completely different
fuller sound, bridged that problem. Of course after a while a second
guitar had to be found to avoid all that re-tuning. His second guitar is a
classical guitar that gave new impulses for new. The third guitar, an
American Lakewood western has such a clear sound in the high strings and a good
base in the lower.